<?xml version="1.0" encoding="iso-8859-1"?>
<rss version="2.0">
<channel>
<title>Desicritics Author: Kshitij</title>
<link>http://desicritics.org/</link>
<description>Superior South Asian bloggers on Culture, Media, Politics, Sport, Business, and Technology.</description>
<language>en</language>
<copyright>Copyright 2006 by the authors</copyright>
<lastBuildDate>Mon, 27 Nov 2006 09:28:23 EST</lastBuildDate>
<docs>http://backend.userland.com/rss</docs>
<generator>BC custom software</generator>

<item>
<title>Music Review : Def Leppard&#039;s &lt;i&gt;Yeah!&lt;/i&gt;</title>
<link>http://desicritics.org/2006/11/27/092823.php</link>
<author>Kshitij</author><description>&lt;p&gt;I haven&#039;t heard too much Def Leppard, partly because their records aren&#039;t easy to find where I come from, and partly because most classic rock stations tend to skip right over the 80&#039;s.&lt;/p&gt;
&lt;p&gt;So when I saw this album, I picked it up as an introduction to the band, and to 70&#039;s British rock music. It has served well as both, and is highly recommended.&lt;/p&gt;
&lt;p&gt;First off, you should know this is an album composed entirely of covers. No original material here. This smacks of &lt;em&gt;&quot;writer&#039;s block&quot;&lt;/em&gt;, a cheap tactic to keep their name on the charts and in public consciousness. However, it turned out to be a very good album, and has all the energy and metal goodness which made the group famous.&lt;/p&gt;
&lt;p&gt;The album moves with deliberate energy, from an amazing opener &lt;em&gt; (20th Century Boy)&lt;/em&gt;, a slow paced second track which builds up to a guitar-fueled orgy halfway through &lt;em&gt;(Rock On)&lt;/em&gt;, a third track that&#039;s mildly reminiscent of mid-90&#039;s boy bands were it not for the tight guitar riffs and fretwork &lt;em&gt;(Hanging On The Telephone)&lt;/em&gt; and goes on to a track which sounds like Aerosmith at their best &lt;em&gt;(Waterloo Sunset)&lt;/em&gt;. The album is worth getting just for the first six tracks -- that&#039;s not to say the others aren&#039;t very good, though.&lt;/p&gt;
&lt;p&gt;The distinctive DL style pervades the album, with the freedom that two guitarists offers and Joe Elliot&#039;s boyish-yet-sensitive voice. The drumming is adequate, and punctuates the music in a pleasing way, but don&#039;t expect Ringo Starr. The guitars work to create a &quot;wall of sound&quot; effect, but not on each track, so it never gets tedious. The guitar riffs aren&#039;t exactly &lt;em&gt;&quot;Smoke on the Water&quot;&lt;/em&gt;, but once again, adequate, and fit the mood and energy levels of the songs. A little more variety in the sound would have been nice - but, as they say, &lt;em&gt;if it ain&#039;t broke...&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;The entire album has a rich 70&#039;s texture, from the energetic riffs, the expensive-sounding production values, the subject matter of the songs (love, relationships, beauty, and so on), the cover art, everything. These songs even have guitar solos - it&#039;s been a long time since we heard them, hasn&#039;t it? The singing actually follows the underlying chord structure and progression - again, since rapcore and nu-metal invaded the airwaves, which is a rarely heard thing. If you like both classic rock and heavy metal, this is the perfect mixture, and you&#039;re sure to like this. If electric guitars don&#039;t twiddle your thumbs, though, you might want to pass.&lt;/p&gt;
&lt;p&gt;The liner notes are very well put-together, and besides the mandatory photos of band members in unnatural poses, contain interesting tidbits about each of the tracks that are covered and the artists who wrote them. I hadn&#039;t heard any of these songs before, so the liner notes served as a good foot-in-the-door to 70&#039;s UK pop. &lt;/p&gt;
&lt;p&gt;If you&#039;re sick of rap music, death metal and grunge, look no further.&lt;br/&gt;
&lt;/p&gt;</description>
<category>Media</category><guid isPermaLink="false">3627@desicritics.org</guid>
<pubDate>Mon, 27 Nov 2006 09:28:23 EST</pubDate>
</item>

</channel>
</rss>