Devika Rani - Bollywood's First Lady
Sanket Vyas
This year marks the 70th anniversary of one of the landmarks of Indian cimema, Achut Kanya (The Untouchable Girl). The star of the movie was Devika Rani, co-founder of Bombay Talkies and an icon of Indian cinema herself. She was the grand niece of the legendary poet and Nobel Laureate Rabindranath Tagore who was knighted but resigned his commission out of protest to British rule in India. Devika herself was no stranger to awards being the first ever recipient of the Dadasaheb Phalke Award - annually given for lifetime achievement to Indian cinema and the Padma Shri Award for her contribution to the arts.
Devika Rani went to England in the 1920's to study architecture and also ended up studying drama and music at the Royal Academy of Drama. It was there that she met her husband (Himanshu Rai) who was an Indian actor and film producer. Together they collaborated on the first Indian talkie Karma in 1933. While on their honeymoon in Germany they became well acquainted with many German filmmakers and technicians who came to Bombay to usher in Bollywood as we know it. One of those, director Franz Osten, was responsible for her most memorable role in Achut Kanya. Starring opposite her was Ashok Kumar (older brother of Kishore) who incidentally was cast after the original hero eloped with Devika. However, she did return to finish the film.
The earliest (and still one of the only) film to deal with the Dalits/Untouchables, it was the fledgling Bombay Talkies first bonafide hit. This film about a Brahmin boy and an untouchable girl who fall in love generated quite a bit of controversy during the same time that Mahatma Gandhi was crusading for the rights of the Dalits in Indian society. Gandhi gave many lectures regarding this issue and fasted for the Dalit's rights to enter temples, an act that resulted in many death threats against him. Gandhi declared that there is no such thing as an untouchable in the holy writings as the very idea conflicted with humanity and therefore could not be the divine truth. Despite many attempts to reform this issue it still persists in modern India to this day.
On the occasion of this landmark year, I'd like to draw your attention to two that were inspired by the movie. The first one is "Phoolon Ke Rang" sung by Kishore Kumar from the movie Prem Pujari. Devika often teased her friend and co-star Ashok about how much a better singer his younger brother Kishore was and often listened to his songs on her movie sets. The second song is from another recipient of the Padma Shri Award, Diwaliben Bhil. She originally hails from Junagadh, Gujarat and is a member of the Koli tribe. Diwaliben also happens to be a member of the lower castes but this did not stop her from achieving international fame and success. The song is a traditional Krishna Bhajan but it is made very special by her rendition of it.
Devika Rani - Bollywood's First Lady
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Tanay
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December 13, 2006
03:28 AM
The longest recorded kissing scene from the bioscope era of 1920's to 1930's,was one with Devika Rani and Himanshu Rai,lasting for a torrid 4 minutes and that was in 1926.
That was ok..Now it's circa 2006 and someone by the name Mr Dwivedi found a kissing scene in Dhoom2,corrupting the minds of our innocent Indian youth and offending 'Bharatiya' women.Hmmmmm well he needs to see this 1926 movie along with his Sherwat ones too :-) (there was a nice post on this here @ DC too)
Anamika
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December 13, 2006
07:45 AM
Thanks Sanket for the piece. Devika Rani was one of the earliest divas of Indian cinema and her contribution is often underestimated.
Btw, a slight quibble about the statement that Achyut Kanya was "the earliest (and still one of the only) film to deal with the Dalits/Untouchables."
Agree with your on that it was one of the first films on the issue. But defnintely NOT "one of the only" films.
Re: untouchability, Nutan's Sujata (1959) is another of the major films on this issue. In political terms its almost a sequel to or continuation of Achyut Kanya - Sujata can be "adopted" by a "liberal" family and treated well. But old lines get re-drawn when it comes to marriage.
Caste issues were also dealt with - albeit not as the main theme but along with class and gender issues - in Nutan's Milan (1967).
Caste and untouchability issues were key for the Tamil (? saw it ages ago so can't remember details) film - Diksha (1991?).
I am sure other film buffs with greater knowledge of non-Hindi cinema will have other examples.
temporal
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December 13, 2006
09:49 AM
sanket:
thanks for bringing this here:)
a minor oversight:
Together they collaborated on the first Indian talkie Karma in 1933.
the first indian talkie or sound film was Ardeshir Irani's Alam Ara (1931)
Qalandar
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December 13, 2006
11:07 AM
On "untouchability", note that in recent decades the most mainstream Hindi film to have dealt with this issue is Sultan Ahmed's 1978 blockbuster Ganga ki Saugandh, wherein Amitabh Bachchan plays a Brahmin and Rekha a Dalit.
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