OPINION

Bangladesh Diary: In This World

December 05, 2006
Andrew Morris

I have spent the morning in one of many hundreds of slum areas dotted around Dhaka, in the company of my intense and socially committed friend, R, and two Swedish journalists. R. has connections with NGOs and charities who deal with street children, and he moves with ease and grace amongst these urban poor, who greet him as 'brother' and lightly touch his arm as they speak.

We are in the area of the main railway station at Komolapur. As we approach, there are trucks parked on either side of the road, their colourful painted bonnets thrown open to reveal steaming engines. There is the sound of hammer on metal, and a train's whistle in the distance. Alongside the trucks are the houses of some of the destitute street people of Bangladesh - tarpaulin, hessian sacks, stray plastic snapping in the breeze. The ground is covered in a patina of litter, dust and dirt. Our taxi's windscreen is smashed - and thus it is through this glittering spider's web that we look out on this sea of human misery.

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But even here, among the destitution and grime, there is no self-pity, simply no time for despair. If there is one adjective to describe this people, it is resilient. Everyone I meet is resourceful and determined. They are also generous and dignified, and we are welcomed as guests with a humbling openness.

Most of the people are unemployed - though some work as rickshaw wallahs, earning less than £1 per day, and often having to give up most of that in rental charges to the rickshaw owners. Others break bricks, smashing away at the unforgiving stone, inhaling red dust. The lucky ones among the young boys are out working in garments factories, leaving the women and the girls to sit in the shade of narrow bamboo houses, washing the babies, or to lean in the doorways, closely watching this strange foreign delegation. The bolder ones call out 'Your country where?' They grin with delight in response to my greeting 'Salaam awaleikum'. Peace be with you.

The scrappy yard in which we first find ourselves is a jumble of old truck parts, dusty wrecked buses, cows idling away the afternoon. A calf nuzzles my knee and I reach down absent-mindedly to pat its head. What are you supposed to do with a calf? Beyond there is a green field of spinach plants, and over there, in the corner, a man crouches down to pee.

But the building which draws our attention above all others is a small corrugated iron shack. Decorated with torn colourful posters advertising mineral water and Sprite, this is the makeshift one-room school.

The kids tumble in on our arrival and sit in huddled rows at the miniature wooden benches, and the bespectacled young teacher sternly puts them through their paces. They chant the Bangla alphabet; they count to ten in English. Their faces catch the sun - a study in light and shade. Their tiny voices form a ragged thin chorus, as of hungry birds. They lean forward - hanging onto every word. Soon after, they play games outside, Simon Says, Touch. It's not much in the way of formal schooling, but here is co-ordination, collaboration, language: luxuries they can't access so easily in the grim daily round of home survival. ides, between this young student and his charges there is a real connection - a sense of commitment which is all too absent in so many schools here. There is just the slightest chance these kids will follow these role models and escape the poverty of their parents. They will not easily let go of this chance.

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Round the corner is another, even bigger slum. We walk over, taking in the occasional moment of lightness as we pass. A queue of people step daintily onto a punt, balancing precariously on the shimmering green water. A couple of girls dressed in brilliant red and white saris head for an end-of-exam celebration at their school, their make-up skilfully applied, their dark eyes catching and holding ours. Some hopeless romantic has written 'I love you' on the grimy windscreen of a dead bus.

But then we are back in the narrow lanes, the bamboo, corrugated and brick houses (in strict ascending order) themselves a sad little league table of poverty. The open sewers flow past. We move from house to house, greeted like visiting kings. Everywhere we stop there is a huddle: bright and curious eyes follow our every move. Faces appear at the window, children gather at the door. The children's faces are beautiful, but they are also knowing, old before their time.

There are babies everywhere. When I was a child I would follow instructions in drawing books to look carefully at a picture and find the ten hidden mice. You could do the same here - can you spot the twenty babies in this picture? Down there in the corner - over there on the table... Every time I move or bring my arms down from taking a picture my elbow bumps gently into some poor child's head.

Inside these houses attempts have been made, as everywhere in the world, to decorate. Coloured bedspreads, torn glossy pictures of film stars, clawing back a sense of home. Here too we meet committed young people who give up their time to teach the children, bringing glimmers of hope in the lifelong struggle to be heard. They give instruction on how to clean your teeth, how to put away whatever money your childhood labours may bring, what the letters of the alphabet look like. It is inspiring to see such unwillingness to give up.

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But what other, harder, lessons lie ahead of these old-young kids?

Andrew is from Wales, UK, but currently living in Dhaka. He's been visiting Bangladesh for many years, and loves the place. Now he's working as a teacher trainer and writing a book, which he's sure will be a bestseller (in his own house). He can always be found at www.morristhepen.net
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#1
Tanay
URL
December 5, 2006
02:00 PM

But what other, harder, lessons lie ahead of these old-young kids? My answer : Plenty...

The children would be in the age group of 10 to 12..Even though they have been put in school by a young teacher...Do you feel they would continue..After sometime they would sell newspapers, boxes of tissues and other wares at traffic intersections. Some would work on daily wages. Others would collect waste and then sell it for recycling.

Why do programs which gets initiated in high spirit and with an intention to bring goodwill and prosperity,not produce the right results.. The reason I feel are many losing focus/sight in the journey...My idea is its the journey to a destination that is difficult and not the end destination...But a single Andrew or his Swedish friends or the humble teacher cannot make a change all by themselves..Its not easy though,same is very much prevalent in India too..."Child Labor" was made illegal by Indian law,few weeks back but even today,you can find these kids working in restaurants and in petrol stations fixing punctured tyres...Rules are easy to make but difficult to implement ....

1 in 10 would go and complain when s/he finds a live case of child abuse or exploitation..Rest 9 on 10 watch it daily and still remain silent as it doesn't impact their lives and lifestyle..Change comes through people involvement,voice and participation for a cause..

#2
temporal
URL
December 6, 2006
11:08 AM

The children's faces are beautiful, but they are also knowing, old before their time.

true!

but in the beautiful photo you took, their faces also reflect hope and resiliency

digression:

at what age hope gives in to unfathomable hatred and intolerance? (this is not confined to b'desh)

#3
Andrew Morris
URL
December 6, 2006
11:16 PM

Tanay

Of course you're right - and my question was a rhetorical one. No-one is suggesting that a one-off visit can achieve anything for these kids, or even a well-meaning NGO. The social structures that keep the rich rich and the poor poor are too entrenched to be much affected by this. But I guess this doesn't mean we should do nothing.

I've written both here on DC and in the national BD press on child labour - ultimately these struggles have to come from within the nation itself, but still as an outsider teacher and writer I can make a tiny contribution by bringing these things to the fore.

Temporal

I agree - the girl's photo is a constant source of inspiration to me. She was mute, but very expressive. And you're right - cynicism and despair get us nowhere. Hope tempered with realism is my preferred option.

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