Desicritics Comments on Maestro Naushad Ali: Awaaz Dey KahaaN Hay

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Comment by Banjaara

Sun, 7 May 2006 12:25:06 EDT

Q.Bit. Thank you for reading the article.There have been unconfirmed reports that Naushad did complete a song or two, but being a gentleman he never declared which ones and always gave full credit to Ghulam Mohammad. He is however,responsible for the background music of Pakeezah.I should have pointed this fact out and not credited Pakeezah to him. Thanks for the clarification.

Comment by Q Bit

Sun, 7 May 2006 01:51:24 EDT

* Naushad composed the theme music and is said to have significantly contributed overall after Ghulam's death. His alaap for Lata is exquisite.

Comment by Q Bit

Sat, 6 May 2006 14:29:30 EDT

Banjara: Thanks for the article. Temp: Banjara did write: His other memorable films were Rattan, Mela, Deedar, Jadoo, Shabab, Mother India, Mughl-e-Azam, Ganga Jamuna, Mere Mahboob, Ram Aur Shyam, Pakeezah and Aadmi. I was only objecting to the inclusion of Pakeezah in the above list. As I mentioned before, the songs were all done by Ghulam Mohammed prior to his death. Naushad was also given credit because he composed the background score. It is also believed he contributed to some extent to the songs as well (ok I have heard this and won't be able provide any credible source). Ok-hang on- got something (from your link 3-the rediff one). Like Meena Kumari, Ghulam Mohammed also couldn't enjoy the fruits of Pakeezah's success due to an untimely death. The composer hadn't really achieved frontline success despite crafting some exquisite melodies for Suraiya in Mirza Ghalib, Maalik and Shama. However, Pakeezah's perennially popular score gave him lasting fame. * Naushad composed the theme music and is said to have significantly contributed overall after Ghulam's death. His alaap for Lata is exquisite.

Comment by temporal

Sat, 6 May 2006 13:51:00 EDT

(contd) Link 3 and Link 4 gave credit to both Master Ghulam Mohamed and Naushad. While this THIS link failed to mention any one!

Comment by temporal

Sat, 6 May 2006 13:49:44 EDT

qb: I would like to point out one thing. In the above article and also in the Times of India I have noticed the music credit for Pakeezah was given to Naushad. This is not correct. you are right...banjaara is not wrong also...he had written Naushad completed Pakeezah after Master Ghulam Mohammed's death.. i googled and found that Link 1 gave full credit to Naushad while Link 2,

Comment by Q Bit

Sat, 6 May 2006 12:22:03 EDT

I would like to point out one thing. In the above article and also in the Times of India I have noticed the music credit for Pakeezah was given to Naushad. This is not correct. Ghulam Mohammed was the music director and composed all the seven songs of Pakeezah. His untimely death however led director Kamal Amrohi to ask Naushad to compose the background piece. The styles of Ghulam Mohammed and Naushad are very similar as GM used to be an assistant to Naushad. I don't know if you folks remember "The Sword of Tipu Sultan"--the background music was composed by Naushad--simply awesome.

Comment by temporal

Sat, 6 May 2006 12:01:29 EDT

yes, thanks and welcome banjaara:) his legacy shall live for a long time! raju karti write about him in DNA Gentleman to a fault and a demeanour that found its roots seeped in the traditional Lucknowi 'aadab', his music encapsulated the entire gamut and intricacies of Indian raagas. Such was his virtuoso that with a flick of a musical note, he could turn a vibrant raaga like the Malkaun into a melancholic one like the Shivranjani. Displaying a fierce and unflinching commitment to classical music, he refused to go commercial. And yet, his music set an entire generation aflame

Comment by Aaman

Sat, 6 May 2006 09:14:51 EDT

Great memoriam, thanks and welcome

Comment by G R rao

Sat, 6 May 2006 06:28:50 EDT

Naushad Saab era is also history of indian Film music.The soft tunes puctuated bythe light Theka of the tabla which ruled the songs of Pankaj Mullick and Boral gave way to the loud Thap of the Dholak and the tunes of Naushad Sab became immenselely popular. Somewhere the raga-based songs took over and the credit goes to Naushad Saab. His memorable song Mohe Panghat pe nandalala will be remembered forever. The lilting tunes gave way to musically exotic Hindustani Music.